Sylphides & Kasa de Orates Projekt GHGR 025118
Knwell (Kasa de Orates) composed the tracks No dual and Ritual, used tracks that Knwell had recorded for his project dissolved: Nada,
those tracks were composed in the years 2014 and 2015 with: Arturia Keylab 48, Nord lead 2, Korg M1 and close field recordings with a Tascam digital recorder, both in Chile and Peru, the beginning of track 3 was recorded in Machupichu, Peru, and recordings were recorded during Knwell's trips to Peru on the plane.
Knwell uses Ableton live, Audacity, Cubase 5.0 and Soundforge.
Ritual was recorded with: Tibetan trumpet, quartz bowl, Tibetan bowls, sea stones, sea shells, bamboo xylofono, tarka, Tibetan bells,
Peruvian bell and Ottoman bell, Cascahuillas, crotalos,
Mapuches cascahuillas, Conch (Pututu) and voices, all recorded and interpreted by Manuel Knwell.
After receiving the recordings of Manuel Knwell, Patrick Masson (Sylphides) to all electronically processed,
and recomposed from these sounds and recordings.
He used among others the Trilogy Synthesizers (with effects and filters), SH 101 (with effects and filters), Sequencer,
as well as some vst synth like Circle, Absynth and some others..
Voices have been recorded by the Sylphides (Laurence Lemoine/Patrick Masson) on "can be like a dream",
"Trance", "Unknown Zone" or "Porno B" ..
As well as percussion reworked electronically.
Only the sounds of traditional instruments recorded by Knwell, have not been treated in electronics and therefore pure.
All recorded on programs like Audacity, FL, Reaper .. in 2018 at home studio Sylphides in Belgium.
those tracks were composed in the years 2014 and 2015 with: Arturia Keylab 48, Nord lead 2, Korg M1 and close field recordings with a Tascam digital recorder, both in Chile and Peru, the beginning of track 3 was recorded in Machupichu, Peru, and recordings were recorded during Knwell's trips to Peru on the plane.
Knwell uses Ableton live, Audacity, Cubase 5.0 and Soundforge.
Ritual was recorded with: Tibetan trumpet, quartz bowl, Tibetan bowls, sea stones, sea shells, bamboo xylofono, tarka, Tibetan bells,
Peruvian bell and Ottoman bell, Cascahuillas, crotalos,
Mapuches cascahuillas, Conch (Pututu) and voices, all recorded and interpreted by Manuel Knwell.
After receiving the recordings of Manuel Knwell, Patrick Masson (Sylphides) to all electronically processed,
and recomposed from these sounds and recordings.
He used among others the Trilogy Synthesizers (with effects and filters), SH 101 (with effects and filters), Sequencer,
as well as some vst synth like Circle, Absynth and some others..
Voices have been recorded by the Sylphides (Laurence Lemoine/Patrick Masson) on "can be like a dream",
"Trance", "Unknown Zone" or "Porno B" ..
As well as percussion reworked electronically.
Only the sounds of traditional instruments recorded by Knwell, have not been treated in electronics and therefore pure.
All recorded on programs like Audacity, FL, Reaper .. in 2018 at home studio Sylphides in Belgium.
crédits
paru le 10 juin 2018
Masterized by Manuel Knwell
Artwork, painting by Mary Gorbunova
Links:artistmary.ru
www.artlimited.net/32319
Edited and typography: Alvaro Cabello.
contact: alvaro.cabello@gmail.com
Masterized by Manuel Knwell
Artwork, painting by Mary Gorbunova
Links:artistmary.ru
www.artlimited.net/32319
Edited and typography: Alvaro Cabello.
contact: alvaro.cabello@gmail.com
